TV GOODNESS
HEATHER M, SEPTEMBER 2nd, 2022
Hurricane Katrina slammed into New Orleans 17 years ago, but if you live on the Gulf Coast, it feels much more recent, and its effects still linger. Apple TV+’s Five Days at Memorial is an eight-episode limited series about the horrific chain of events that unfolded at that titular New Orleans hospital when it was marooned without electricity or clean water during the storm. It’s a harrowing moment in history to revisit, and in many ways it feels too soon, but Apple TV+ has assembled an impressive collection of onscreen and offscreen creatives to tell the story.
This week, I spoke with the very busy (and loving it) Sharron Matthews, who plays Cheri Landry, one of the nurses who was charged in the death of several patients but never indicted. In our wide-ranging conversation, we talk about the series, her first LA red carpet premiere, and the upcoming second season of Canadian family drama Ruby and the Well.
The gravity of the Five Days at Memorial story isn’t lost on Matthews. When it was offered to her after the unexpected cancellation of Frankie Drake Mysteries in 2021, in the middle of the pandemic, she wasn’t sure it was the right project to follow up a four-season run on that CBC mystery series, but Robin D. Cook, the casting director she’s known for two decades, encouraged her to get involved.
“She said, ‘I’ve read all the scripts. I think this is a really important thing to be in. Not just because of the subject matter and what it’s going to be. But the people who are assembled, who you will get to work with because of the sheer volume of characters, like Vera Farmiga and Cherry Jones and Michael Gaston and Molly Hager and Julie Emery,’” she recalls.
“The thing that was really clear to me…John Ridley, who wrote the script for episode five [which aired last week], and who directed it, did such an amazing job of letting you know that these people were left on their own. And then they had five hours to evacuate 200 people, more than 50 of whom were critical, out down seven sets of stairs through a parking garage, through a hole in the wall, up a rickety staircase to a helipad that was seven flights up.”
“They were in the middle of the lowest flood plain in New Orleans, surrounded by some of the poorest areas, before this all happened. John asked us all to read the book before we started. Sheri Fink wrote an amazing book. It’s hard to take in the whole thing. She made a journalistic endeavor so interesting.”
“The city had asked the government to rebuild the pump system and fix the levees and do all these things. And they did none of it and then heavily suffered because of it, monetarily, spiritually, physically, morbidly. It speaks to corporate and class systems and people left behind. No one knew what anyone else was doing. There wasn’t a plan for a place that should have had a plan. Of all places, it should have had a plan.”
Matthews spent five months on the production, and many of those days soaking wet. “I’ve never experienced anything like that shoot in my life. We had four or five different sets of scrubs depending on the date that we were shooting. As the scrubs went farther and farther along, it just got more disgusting,” she explains.
“You’d get to set and then you’d stand on a blanket and wardrobe would spray you down with warm water and then they’d cover you with grease, because that looked like sweating. And then makeup would spray you down in the face and then hair would come and spray you down. And that would happen all day long and right before every take. The whole thing was heavy, wet, and hot.”
Just as Cook had promised, the caliber of people involved did not disappoint. “It was a really amazing group. It was such a big cast. There’s so many people doing so many things. The first five days are spread between 20 to 30 people,” Matthews shares. “I worked with all these amazing actors, who I didn’t see every day, but we spent time in the green room, talking.”
“Myself and Sarah Allen, who plays Lori Budo, the other nurse who was charged, were largely in the shadows for those first five episodes. I was only ever really with Vera and Sarah. Vera was the number one on the call sheet. We followed Vera, because she was playing a doctor, and nurses follow doctors. Vera is an amazing leader. There was always a director’s plan, of course, but she came in with an emotional plan for the three of us.”